Back to All Events

"HAL" // THURSDAY - APRIL 30th, 2026 // FILMING CONFIRMATION // ACTION REQUIRED


IMPORTANT BOOKING INFO (READ THIS):

🕘 Running late? If you're more than 15 minutes late and don't inform casting, your voucher may be deleted. Please keep us updated!

⛔️ Check in & out! Failing to check in or out with a Production PA may delay your payment. Be sure to do so when you arrive and before you leave.

THURSDAY
APRIL 30th, 2026


⬇️ Parking, CALL TIMES, & Important Notes below ⬇️

BACKGROUND WARDROBE NOTES
PLEASE Find your role and bring those items

ALL WARDROBE NOTES :
Please wear undergarments and bring whatever was discussed at your fitting - if you are unclear of what you need to bring please text Jospeh, Jenna or Heather.

2000s All Background Roles & Drivers:
New Orleans (Hurricane Katrina relief) August 31-Sept 2, 2005

Convoy Volunteers/Workers:

Please bring 2 top/shirt options, such as solid-color T-shirts, light-weight shirts, plaid shirts, or a light sweatshirt (long sleeves are a must if they have tattoos).
For bottoms, jeans, khakis, cargo pants, or shorts.
Footwear should be non-descript/ non flashy sneakers or work shoes- no SANDALS.

Clean up crew MUST BRING / WEAR work boots!

Hats are optional—baseball caps without logos only.

Please avoid white, black, or red shirts, as well as any clothing with visible logos.

***We will distribute COH t-shirts and clean-up crew gear***


1969 All Background Roles & Drivers:

Please bring clothing options that will cover your tattoos (if you have any).

Season for all 1969 Scene - WINTER/COLD (layers and coats) - Concord, CA

Background Performers should bring any 1969 inspired clothing, women’s dresses, men’s suits, coats and shoes. LIMIT 3 outfits options

If you do not have any 1969 inspired clothing, at the bare minimum you should bring a pair of non-descript black, brown or nude dress shoes or flats.

****Please avoid shirts, blouses, dresses or suits  that are white, black or red and clothing with logos****


ALL HAIR NOTES :
PLEASE COME CAMERA READY. READY READY.
Due to limited man power we’ll need all the help we can get to put everyone through the works quickly.

2000s Background Talent Hair Guidelines

• Finish: Hair should look intentional. High shine (gel/pomade) or "piecey" textures. Avoid the soft, effortless "beach waves" common today.

• Parts: Sharp, defined parts. Center parts were king, but extreme side parts or zigzag parts are very era-appropriate.

• Tools:  Lean heavily on flat irons for stick-straight looks or small-barrel curling irons for tight "crimped" textures.

Women’s Styling Options

1. The "Stick Straight" (The Y2K Standard)

Pin-straight hair with a sharp center part.

• Prep: Blow-dry smooth and finish with a flat iron. Use a smoothing serum for a "glass hair" effect.

• Tuck: Hair should be tucked neatly behind both ears.

2. The Up-Do (Spiky & Structural)

• High pigtails, "Space Bun" hybrids, or a claw-clip twist.

• The Key: Leave the ends of the hair poking out of the bun or clip to create "spiky ends." * Face-Framing: Pull out two very thin, symmetrical strands at the forehead (commonly called "tendrils" or "antenna strands") and gel them so they stay sleek.

3. The "Crimped" or Texture-Heavy Look

• The Look: Micro-braids or crimped sections scattered throughout the hair.

• Prep: If a crimper isn't available, talent can braid small sections of wet hair overnight and unravel them in the morning for that tight, crinkled texture.

Men’s Styling Options

1. The "Heartthrob" Middle Part

• The Look: Also known as "curtains." Hair is cut to ear/eye length and parted down the middle.

• Prep: Use a light pomade to keep the "curtains" from falling flat. It should look slightly bouncy but groomed.

2. The Spiky/Frosted Texture

• The Look: Short on the sides, spiky on top.

• Prep: Use heavy-hold gel to create distinct, individual spikes. Avoid a uniform "faux-hawk"—think more "textured mess" or "boy band" spikes.

3. The "Buzz"

• The Look: A clean, uniform buzz cut (Grade 2 or 3). Very popular for the minimalist 90s aesthetic.

Period-Appropriate Accessories

Encourage talent to bring or wear the following for an instant "time-travel" effect:

• Butterfly Clips: Multiple small clips used to "crown" the head.

• Snap Clips: Large silver or colored metal "click" clips worn symmetrically at the temples.

• Stretch Comb Headbands: The circular wire headbands that create a "rake" texture in the hair.

• Scrunchies: High-placed, velvet or neon fabric. 

Please avoid modern "balayage" or "shadow roots." If your hair has a modern dye job, try to style it in a way that minimizes the gradient, or opt for a sleek ponytail.

2000s

2000s

1960s Background Talent Hair Guidelines

Due to limited man power we’ll need all the help we can get to put everyone through the works quickly.

🎞️ 1960s Background Talent Hair Guidelines
General Rules (All Talent)
• No Modern Coloring: Absolutely no "fantasy" colors (pink, blue, etc.), visible "money piece" highlights, or harsh ombré. Hair should appear as a solid, natural tone or subtle, traditional highlights.
• Zero Frizz: Unlike the 80s, the 60s were about smoothness. Even high-volume hair should look brushed through and polished.
• Hide the Tech: Avoid "beach waves" or piecey, textured styles created by modern flat irons.


Women’s Styling
The silhouette of the 60s is either perfectly round (the beehive) or flipped out.
• The Prep: Please arrive with hair set in large rollers for maximum body and "lift" at the roots.
• The "Flip": For shoulder-length hair, the ends should be curled upward/outward.
• Teasing/Backcombing: Be prepared to tease the crown of your head to achieve a "bouffant" shape.
• Bangs: Thick, straight-across bangs or deep side-swept bangs are very period-accurate.
• The Pixie: If you have short hair, style it sleek and close to the head (think Twiggy).
• Accessories: Solid-colored headbands (placed an inch or two back from the hairline) and hair ribbons are encouraged.


Men’s Styling
Men’s hair moved from the "Greaser" look of the 50s into the "Mod" look of the mid-60s.
• The "Executive" Look: For an early 60s look, arrive with a clean side part styled with pomade (slight shine is okay).
• The "Beatle" Look: For a mid-to-late 60s look, hair should be longer, covering the ears and forehead, styled forward rather than swept back.
• No Fades: Avoid modern "high and tight" fades or buzzed designs. Hair on the sides and back should have enough length to be combed.

1960s

1960s


ALL MAKE UP NOTES
PLEASE COME CAMERA READY. READY READY.
OUR MAKEUP DEPT HAS SENT OVER NOTES & PHOTO SEE BELOW


Tattoos Notes:

  • If you have an exposed tattoo please BRING WARDROBE OPTIONS TO COVER or COVER THEM before you arrive


💰 PAYMENT INFO

“Hal” is using the RABS App & Digital Voucher.  That means, no more filling out paperwork on set! The app is approved by SAG-AFTRA, keeps your data secure, and makes sure you get paid. RABS will text you at call, meals, and check-out. Please complete your "Payroll Wizard", aka Digital Voucher, at this link: https://hal.rabs.app/bg

THE LINK WILL NOT BE ACTIVE UNTIL LATE LATE LATE INTO THE NIGHT BEFORE YOUR FILMING - PLEASE DO NOT TEXT US ASKING ABOUT THIS - WE HAVE A METHOD TO OUR MADNESS :)

Failure to do so may cause check-in or payment issues
so please take care of it first thing in the AM (while in the check in line) - it’s a FAST process!

For support with RABS and questions visit: BG Support


CALL TIMES & PARKING :


FILMING CONFIRMATION

As always, we are counting on you to show up ON TIME, in the CORRECT WARDROBE, hair CAMERA READY, makeup CAMERA READY, your online PAPERWORK COMPLETED, and a GREAT ATTITUDE. Have fun!


EMERGENCY?

Please TEXT JOSEPH at (804)399-3728

If JOSEPH does not get back to you WITHIN 15MINS
then TEXT JENNA for assistance at
(470)815-0996

  • YOUR FULL NAME

  • THE SHOW IN QUESTION

  • A BRIEF DESCRIPTION OF THE EMERGENCY

    WE CANNOT ANSWER PHONE CALLS


THIS INBOX IS NOT MONITORED.
DO NOT REPLY TO THE EMAIL
!!! WE WILL NEVER SEE IT !!!

Previous
Previous
April 29

“HAL” 4.29 FILMING // RECONFIRMATION: Please Confirm Updated approx. Call / Filming Time Frame